Nubuke Foundation: Concrete Foundations

As one of Ghana’s most exciting artistic foundations, Nubuke Foundation, reopens with a stunning new building, City Life speaks to its director, Odile Tevie

Why did you decide to build a new centre for the Nubuke Foundation? 

After ten years’ of operating out of a remodelled residential property which lent itself very well to certain kinds of arts programming and exhibitions, it was clear that the challenges of the space were also limiting. We wanted a space that would no longer dictate or influence our curatorial decisions, or limit the type and size of the artwork. Going forward, we would offer carte blanche to curator and artist with a purpose-built gallery that would entirely complement the vision of Nubuke Foundation to promote visual arts and culture. 

What was the ethos behind starting the Nubuke Foundation, and has the mission changed with the new building? 

Our mission remains unchanged; however, in showcasing and promoting the work of Ghanaian artists, we cannot ignore the world out there. Just as people worldwide would like to experience art from Ghana, Ghanaians also want to appreciate other cultures. We have had exhibitions and collaborations with international institutions and artists from places including Mexico, Colombia, the Netherlands, Nigeria and Spain, and so it will continue.

Why did you choose James Barnor as the opening exhibition?

We have been trying to show James Barnor for a while. It is probably a good thing that it didn’t happen before. The previous space would not have done his photography justice as the new gallery now does. The way the majestic building, the natural light, the ventilation, and over 550 square metres of space within and outside pay homage to his body of works is unprecedented. 

What will the original building be used for? 

The existing building has been remodelled into administrative offices, with increased retail spaces for rent, as well as a lounge and library. The second gallery has become an artist’s residency space, presenting an exciting opportunity to host artists from Ghana and abroad. Soon to be added within the container will be a food court and the relocated library for primary and junior school children in the area
of East Legon and Bawaleshie areas. The idea is to create a hub where visitors and locals can enjoy recreational activities and participate in cultural events. 

Finally, what other developments or events can we expect in 2020? 

Moving forward, we will look to strengthen our signature programmes of Young Ghanaian Artist (YGA) and Ghana Must Go, providing a more focused approach to developing the practice and capacity of creative people and that, too, of our staff. Ghana should expect to host more international exhibitions, and our new gallery will be the destination for them.  All these programmes will complement the work and research already being carried out in the northern Ghanaian town of Wa with the clay and textile weaving communities, and with deaf and blind students. We are working towards consolidating this programme in Wa with a festival within the next three years.

For more information, visit nubukefoundation.org